Sony α7 V / FUJIFILM X-T50

The partially stacked design speeds up sensor readout, reducing the skew (rolling shutter) the electronic shutter causes with fast-moving subjects.

The same sensor is used in the X-T5 and X-H2; the high resolution leaves room to crop but makes files larger.

Sony does not give the measurement conditions.

Measured to CIPA 2024 with the FE 50 mm F1.2 GM lens; results may differ with other lenses.

Subject detection finds the chosen subject type in the frame and tries to keep focus on it.

Helps catch hard-to-predict moments such as a bird taking off.

The electronic shutter is silent and allows very short exposures, but fast-moving subjects can appear skewed.

Magnification describes how large the viewfinder image appears; the X-T5’s viewfinder has a higher resolution.

The screen can both swing out to face forward and tilt up or down on the body axis, so it works for both video and low-angle stills.

Oversampling builds each 4K frame from more pixel data for extra detail.

Fujifilm lists about 45 minutes of continuous recording in 6.2K and 4K with face detection off; this may vary with temperature.

High bit-rate recording needs a card fast enough for the chosen format.

The duration depends on ambient temperature and settings.

The battery can charge and the camera can run from either port; Sony says PD power capacity is 3–4 times that of the α7 IV.

USB 3.2 Gen 2x1 transfers up to 10 Gbit/s; it is used for file transfer and tethered shooting.

There is no built-in Ethernet; wired FTP transfer works through a USB-LAN adapter.

6 GHz band availability varies by country.

Bluetooth keeps the phone paired and passes location data, while Wi-Fi handles photo transfer.

The frame count was measured by Fujifilm with the XF35mmF1.4 R; it is clearly lower than with the X-T5’s larger NP-W235 battery.

Sony's page lists an anti-dust system but gives no explicit moisture or weather-resistance rating.

No charger or cable is listed.

No separate charger is listed; the battery charges in the camera over USB.

The image processor that runs the autofocus algorithms, film simulations and video encoding.

Directly compatible with X-series XF and XC lenses; GF lenses do not fit this body.

This is the pixel size of the largest photo at the sensor’s full resolution.

HEIF stores more colour gradations than JPEG; RAW gives the most flexibility when editing.

Extended ISO values may reduce dynamic range or add noise; the maker counts them outside the standard range.

Sensor shift reduces shake even with unstabilised lenses; digital stabilisation crops the image slightly.

In the 20 fps mode speed drops after 168 JPEGs or 66 compressed RAW frames; buffer depth depends on file type.

Film simulations change the colour and tone of JPEG and HEIF files; a RAW file can be processed later with a different simulation.

With a single slot, recordings cannot be backed up to two cards at once.

The screen tilts up and down; it does not flip to the side and face forward, so you cannot see framing when filming yourself.

Micro HDMI is a small, fragile connector; securing the cable is advisable when connecting an external recorder.

There is no separate headphone jack on the body; video audio is monitored through the adapter.

The built-in flash can trigger external flashes in commander mode.

Depth is measured including the grip; the lens is not included.

The weight does not include a lens.

Fujifilm does not list weather resistance for the body.