Sony ZV-E10 II / Sony α7R V (ILCE-7RM5)

Sony ZV-E10 II: ZV-E10M2 body (black or white); ZV-E10M2K kit with the E PZ 16-50 mm F3.5-5.6 OSS II

Sony α7R V (ILCE-7RM5): ILCE-7RM5 body, black. Kit options vary by market; the α7R IV and α7R VI are separate models.

SpecificationSony ZV-E10 IISony α7R V (ILCE-7RM5)
Release year20242022
SensorAPS-C (23.3 × 15.5 mm) Exmor R CMOS; about 26.0 MP effective (stills)

Effective resolution for movies is about 19.9 MP; the APS-C sensor brings roughly a 1.5× crop factor versus full frame.

Sony		35 mm full-frame back-illuminated Exmor R CMOS; approx. 61.0 MP effective (62.5 MP total)

61 MP allows heavy cropping and large prints; in return files are big and call for fast cards and a capable computer.

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ProcessorBIONZ XR Sony—
ISOStills ISO 100–32000 (expanded 50–102400); movies ISO 100–32000 SonyStills ISO 100–32000 (expanded 50–102400); movies ISO 100–32000 equivalent Sony
AutofocusFast Hybrid AF; 759 phase-detection points for stills, 495 for movies; human, animal and bird recognition

Phase detection quickly works out which way to shift focus; eye and subject tracking can be used for video.

Sony		693 phase-detection points in full frame; 567 phase + 25 contrast points in APS-C mode Sony
4K video4K up to 59.94p; XAVC HS/S 4:2:2 10-bit 200 Mbps, XAVC S-I 4:2:2 10-bit 600 Mbps

Sony says 4K is oversampled from 5.6K. 10-bit 4:2:2 reduces banding when grading; high bit rates such as S-I may need a fast (V90-class) card.

Sony		—
Full HD videoUp to 119.88p (4:2:0 8-bit) Sony—
Colour profilesS-Log3, S-Cinetone (Cinematic Vlog Setting), user LUT import

S-Log3 records wide dynamic range as a flat image that needs grading; S-Cinetone gives a cinematic look without grading.

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StabilisationLens-based optical stabilisation; electronic Active mode for movies

There is no in-body stabilisation. Active mode reduces shake by cropping the image.

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Shutter and burstElectronic shutter only; 1/8000–30 s; up to 11 fps

With no mechanical shutter, flash sync is limited to 1/30 s and fast-moving subjects can distort.

Sony		1/8000–30 s and Bulb; mechanical and electronic shutter; 10 fps in Hi+ mode

Exposures longer than 30 seconds need Bulb mode or an external intervalometer.

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Screen and viewfinder3.0-inch touch LCD, about 1.04 million dots; side-opening and rotating; no viewfinder Sony—
AudioBuilt-in three-capsule stereo microphone; 3.5 mm mic and headphone jacks; Multi Interface Shoe with digital audio interface

With the Multi Interface Shoe, compatible Sony microphones send audio digitally to the camera without a cable.

Sony		—
BatteryNP-FZ100; about 610 shots (CIPA); about 130 minutes of actual movie recording

USB Power Delivery charging and powering over USB while recording are supported.

Sony		NP-FZ100; approx. 440 shots with viewfinder, approx. 530 with monitor (CIPA) Sony
Card slot1 × SD (UHS-I/UHS-II) Sony—
ConnectivityUSB-C (5 Gbps, USB 3.2), micro HDMI (4K 10-bit 4:2:2 output), Wi-Fi 2.4/5 GHz, Bluetooth 4.2

Over USB-C the camera can also be used as a webcam or live-streaming source.

Sony		USB-C (10 Gbit/s, USB 3.2), power and charging via USB Power Delivery; Wi-Fi 802.11ac (2.4/5 GHz); Bluetooth 5.0

USB PD lets the camera run from a power bank or adapter while shooting; 10 Gbit/s suits file transfer and streaming.

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Lens mountSony E-mount Sony—
Size and weight114.8 × 67.5 × 54.2 mm; about 292 g (body) Sony131.3 × 96.9 × 82.4 mm; approx. 723 g with battery and card Sony
Operating temperature0–40 °C Sony0–40 °C Sony
Processor and AI—BIONZ XR image processor and dedicated AI processing unit

The AI unit uses human body and pose data for subject recognition; Sony says vehicles and insects are now recognised as well as people.

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Image stabilisation—5-axis sensor-shift stabilisation; 8.0 stops per CIPA (with FE 50 mm F1.2 GM, pitch/yaw only)

The 8-stop figure applies to a specific lens and test condition; the effect varies with other lenses. Active mode in video adds stabilisation but crops the image.

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Viewfinder—0.64-inch Quad-XGA OLED, 9,437,184 dots, 100% coverage, approx. 0.90× magnification; 60 or 120 fps

The 120 fps setting shows moving subjects more smoothly in the finder at the cost of more battery drain.

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Monitor—3.2-inch TFT, 2,095,104 dots; fully articulating (up 98°, down 40°, side 180°, rotation 270°)

The screen both flips out to the side and tilts on the horizontal axis; this four-way design helps with vertical shots and gimbal work.

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Video—8K 24p (25p) and 4K 60p (50p); XAVC S (H.264) and XAVC HS (H.265)

H.265 (XAVC HS) gives smaller files at the same quality but needs a more powerful computer to edit.

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Pixel Shift—Pixel Shift Multi Shooting: 4 or 16 shots

The sensor is shifted by a pixel between frames; frames combined on a computer give higher colour resolution or a bigger image. It needs static subjects and a tripod.

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Card slots—Two slots; each takes SD (UHS-I/UHS-II) or CFexpress Type A

CFexpress Type A clears the buffer faster in 8K and long bursts; SD cards also work.

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