Sony ZV-E1 / Sony α7R V (ILCE-7RM5)

Sony ZV-E1: ZV-E1 body (US code ILCZVE1/B). The 28–60 mm lens kit uses the same body. The APS-C ZV-E10 II is a separate model.

Sony α7R V (ILCE-7RM5): ILCE-7RM5 body, black. Kit options vary by market; the α7R IV and α7R VI are separate models.

SpecificationSony ZV-E1Sony α7R V (ILCE-7RM5)
Release year20232022
Sensor35 mm full-frame (35.6 × 23.8 mm) Exmor R CMOS; about 12.1MP for stills, 10.1MP for video

A low-resolution full-frame sensor gathers more light per pixel, at the cost of limited room for cropping stills.

Sony		35 mm full-frame back-illuminated Exmor R CMOS; approx. 61.0 MP effective (62.5 MP total)

61 MP allows heavy cropping and large prints; in return files are big and call for fast cards and a capable computer.

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ISOISO 80–102400 for stills and video (expandable to 40–409600) SonyStills ISO 100–32000 (expanded 50–102400); movies ISO 100–32000 equivalent Sony
AutofocusFast Hybrid AF; 759 phase-detection points for stills, 627 for video; EV −6 to 20

Subject recognition covers humans, animals, birds, insects, cars, trains and aircraft.

Sony		693 phase-detection points in full frame; 567 phase + 25 contrast points in APS-C mode Sony
Shutter and burstElectronic shutter only; 1/8000 to 30 s; about 10 fps in Hi+

There is no mechanical shutter; the line-by-line readout of the electronic shutter can skew fast-moving subjects.

Sony		1/8000–30 s and Bulb; mechanical and electronic shutter; 10 fps in Hi+ mode

Exposures longer than 30 seconds need Bulb mode or an external intervalometer.

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4K video4K up to 59.94p in XAVC S/HS/S-I; 4:2:2 10-bit; 600 Mbps in XAVC S-I

XAVC HS uses H.265 and XAVC S uses H.264; XAVC S-I uses intra-frame coding, which is lighter to edit but takes much more space.

Sony		—
Full HD videoUp to 119.88p; 4:2:0 8-bit and 4:2:2 10-bit Sony—
AudioBuilt-in stereo mic and mono speaker; LPCM 2-channel (16/24-bit) or 4-channel (24-bit); 3.5 mm mic and headphone jacks; Multi Interface Shoe with digital audio interface

The shoe’s digital audio interface lets compatible Sony microphones send audio to the camera digitally without a cable.

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Screen and viewfinder3.0-inch touch TFT, 1,036,800 dots; side-opening (176°), rotates 270°; no viewfinder Sony—
Card slot1 × SD (UHS-I/UHS-II) Sony—
ConnectivityUSB-C (5 Gbps, USB 3.2; charging and power via USB PD); micro HDMI (Type D); Wi-Fi 2.4/5 GHz; Bluetooth 4.2

USB PD support allows the camera to be powered during recording from a suitable adapter or power bank.

Sony		USB-C (10 Gbit/s, USB 3.2), power and charging via USB Power Delivery; Wi-Fi 802.11ac (2.4/5 GHz); Bluetooth 5.0

USB PD lets the camera run from a power bank or adapter while shooting; 10 Gbit/s suits file transfer and streaming.

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BatteryNP-FZ100; about 570 shots with the screen (CIPA); about 95 min actual and 140 min continuous recording SonyNP-FZ100; approx. 440 shots with viewfinder, approx. 530 with monitor (CIPA) Sony
Lens mountSony E-mount Sony—
Size and weight121.0 × 71.9 × 54.3 mm; 399 g body only, 483 g with battery and card Sony131.3 × 96.9 × 82.4 mm; approx. 723 g with battery and card Sony
Operating temperature0–40 °C Sony0–40 °C Sony
Processor and AI—BIONZ XR image processor and dedicated AI processing unit

The AI unit uses human body and pose data for subject recognition; Sony says vehicles and insects are now recognised as well as people.

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Image stabilisation—5-axis sensor-shift stabilisation; 8.0 stops per CIPA (with FE 50 mm F1.2 GM, pitch/yaw only)

The 8-stop figure applies to a specific lens and test condition; the effect varies with other lenses. Active mode in video adds stabilisation but crops the image.

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Viewfinder—0.64-inch Quad-XGA OLED, 9,437,184 dots, 100% coverage, approx. 0.90× magnification; 60 or 120 fps

The 120 fps setting shows moving subjects more smoothly in the finder at the cost of more battery drain.

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Monitor—3.2-inch TFT, 2,095,104 dots; fully articulating (up 98°, down 40°, side 180°, rotation 270°)

The screen both flips out to the side and tilts on the horizontal axis; this four-way design helps with vertical shots and gimbal work.

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Video—8K 24p (25p) and 4K 60p (50p); XAVC S (H.264) and XAVC HS (H.265)

H.265 (XAVC HS) gives smaller files at the same quality but needs a more powerful computer to edit.

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Pixel Shift—Pixel Shift Multi Shooting: 4 or 16 shots

The sensor is shifted by a pixel between frames; frames combined on a computer give higher colour resolution or a bigger image. It needs static subjects and a tripod.

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Card slots—Two slots; each takes SD (UHS-I/UHS-II) or CFexpress Type A

CFexpress Type A clears the buffer faster in 8K and long bursts; SD cards also work.

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