Sony ZV-E10 II / Sony α1 II (ILCE-1M2)

Sony ZV-E10 II: ZV-E10M2 body (black or white); ZV-E10M2K kit with the E PZ 16-50 mm F3.5-5.6 OSS II

Sony α1 II (ILCE-1M2): ILCE-1M2 body only, black. The original α1 (ILCE-1), α9 III and α7R V are separate models with different sensors and features.

SpecificationSony ZV-E10 IISony α1 II (ILCE-1M2)
Release year20242024
SensorAPS-C (23.3 × 15.5 mm) Exmor R CMOS; about 26.0 MP effective (stills)

Effective resolution for movies is about 19.9 MP; the APS-C sensor brings roughly a 1.5× crop factor versus full frame.

Sony		35 mm full-frame (35.9 × 24.0 mm) Exmor RS stacked CMOS; approx. 50.1 MP effective

The stacked design allows very fast sensor readout, reducing rolling-shutter distortion with the electronic shutter and enabling blackout-free shooting.

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ProcessorBIONZ XR SonyBIONZ XR and a dedicated AI processing unit Sony
ISOStills ISO 100–32000 (expanded 50–102400); movies ISO 100–32000 SonyStills 100–32000 (expandable 50–102400); movies 100–32000 Sony
AutofocusFast Hybrid AF; 759 phase-detection points for stills, 495 for movies; human, animal and bird recognition

Phase detection quickly works out which way to shift focus; eye and subject tracking can be used for video.

Sony		759-point phase-detection hybrid AF covering about 92% of the sensor; human, animal, bird, insect, car, train and airplane recognition Sony
4K video4K up to 59.94p; XAVC HS/S 4:2:2 10-bit 200 Mbps, XAVC S-I 4:2:2 10-bit 600 Mbps

Sony says 4K is oversampled from 5.6K. 10-bit 4:2:2 reduces banding when grading; high bit rates such as S-I may need a fast (V90-class) card.

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Full HD videoUp to 119.88p (4:2:0 8-bit) Sony—
Colour profilesS-Log3, S-Cinetone (Cinematic Vlog Setting), user LUT import

S-Log3 records wide dynamic range as a flat image that needs grading; S-Cinetone gives a cinematic look without grading.

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StabilisationLens-based optical stabilisation; electronic Active mode for movies

There is no in-body stabilisation. Active mode reduces shake by cropping the image.

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Shutter and burstElectronic shutter only; 1/8000–30 s; up to 11 fps

With no mechanical shutter, flash sync is limited to 1/30 s and fast-moving subjects can distort.

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Screen and viewfinder3.0-inch touch LCD, about 1.04 million dots; side-opening and rotating; no viewfinder Sony—
AudioBuilt-in three-capsule stereo microphone; 3.5 mm mic and headphone jacks; Multi Interface Shoe with digital audio interface

With the Multi Interface Shoe, compatible Sony microphones send audio digitally to the camera without a cable.

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BatteryNP-FZ100; about 610 shots (CIPA); about 130 minutes of actual movie recording

USB Power Delivery charging and powering over USB while recording are supported.

Sony		NP-FZ100; approx. 420 shots with EVF, 520 with LCD (CIPA) Sony
Card slot1 × SD (UHS-I/UHS-II) Sony—
ConnectivityUSB-C (5 Gbps, USB 3.2), micro HDMI (4K 10-bit 4:2:2 output), Wi-Fi 2.4/5 GHz, Bluetooth 4.2

Over USB-C the camera can also be used as a webcam or live-streaming source.

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Lens mountSony E-mount Sony—
Size and weight114.8 × 67.5 × 54.2 mm; about 292 g (body) Sony136.1 × 96.9 × 82.9 mm; approx. 743 g with battery and card (body only 658 g) Sony
Operating temperature0–40 °C Sony—
Continuous shooting—30 fps with electronic shutter; 10 fps with mechanical shutter; pre-capture

Pre-capture also records frames from just before the shutter is fully pressed, helping catch unpredictable moments such as birds or sport.

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In-body stabilisation—5-axis; 8.5 stops at centre, 7.0 at periphery (CIPA 2024, with FE 50 mm F1.2 GM)

The stop figure applies to the stated lens and test condition; the effect differs with other lenses.

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Viewfinder and screen—0.64-inch Quad-XGA OLED EVF, 9,437,184 dots, 0.90×, 60/120/240 fps; 3.2-inch 2,095,104-dot touch screen with four-axis articulation

The screen tilts 98° up and 40° down, swings 180° sideways and rotates 270°, suiting both high/low-angle stills and video.

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Shutter speeds—Electronic 1/32000–30 s; mechanical 1/8000–30 s; Bulb Sony
Video—8K (7680 × 4320) 30p/25p/24p XAVC HS; 4K up to 120p; Full HD 120p and 240 fps slow motion; 10-bit 4:2:2

XAVC HS uses H.265/HEVC and XAVC S H.264; 10-bit 4:2:2 leaves more room for colour grading.

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Card slots—2 slots; each accepts CFexpress Type A or SD (UHS-I/UHS-II)

CFexpress Type A offers much higher write speeds than SD for 8K and long bursts.

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Connections—USB-C (10 Gbit/s, USB 3.2); 2.5GBASE-T wired LAN; Wi-Fi 5 GHz/2.4 GHz (802.11ac); Bluetooth 5.0; full-size HDMI (Type-A)

Wired 2.5 GbE is aimed at sports and news photographers sending files quickly from the field.

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