FUJIFILM X-T50 / Sony α6700 (ILCE-6700)

The same sensor is used in the X-T5 and X-H2; the high resolution leaves room to crop but makes files larger.

Exmor R is a back-illuminated sensor: the circuitry sits behind the light-gathering surface, so more light reaches the pixels. Video uses up to about 19.9 MP of the sensor.

The image processor that runs the autofocus algorithms, film simulations and video encoding.

Directly compatible with X-series XF and XC lenses; GF lenses do not fit this body.

This is the pixel size of the largest photo at the sensor’s full resolution.

HEIF stores more colour gradations than JPEG; RAW gives the most flexibility when editing.

Extended ISO values may reduce dynamic range or add noise; the maker counts them outside the standard range.

Sensor shift reduces shake even with unstabilised lenses; digital stabilisation crops the image slightly.

The electronic shutter is silent and allows very short exposures, but fast-moving subjects can appear skewed.

In the 20 fps mode speed drops after 168 JPEGs or 66 compressed RAW frames; buffer depth depends on file type.

Subject detection finds the chosen subject type in the frame and tries to keep focus on it.

Hybrid AF combines phase detection with contrast detection. The recognition function finds and tracks the selected subject type in the frame; the user chooses the subject type manually.

Film simulations change the colour and tone of JPEG and HEIF files; a RAW file can be processed later with a different simulation.

With a single slot, recordings cannot be backed up to two cards at once.

Magnification describes how large the viewfinder image appears; the X-T5’s viewfinder has a higher resolution.

The screen tilts up and down; it does not flip to the side and face forward, so you cannot see framing when filming yourself.

Fujifilm lists about 45 minutes of continuous recording in 6.2K and 4K with face detection off; this may vary with temperature.

10-bit 4:2:2 recording keeps more tonal information for colour grading. XAVC S-I compresses each frame separately for easier editing, but files are very large. Four-channel audio requires a compatible Multi Interface Shoe microphone.

USB 3.2 Gen 2x1 transfers up to 10 Gbit/s; it is used for file transfer and tethered shooting.

Micro HDMI is a small, fragile connector; securing the cable is advisable when connecting an external recorder.

There is no separate headphone jack on the body; video audio is monitored through the adapter.

The built-in flash can trigger external flashes in commander mode.

The frame count was measured by Fujifilm with the XF35mmF1.4 R; it is clearly lower than with the X-T5’s larger NP-W235 battery.

The battery can be charged inside the camera over USB.

Depth is measured including the grip; the lens is not included.

The weight does not include a lens.

Bluetooth keeps the phone paired and passes location data, while Wi-Fi handles photo transfer.

Bluetooth is used for sharing location from a phone and for remote control.

No separate charger is listed; the battery charges in the camera over USB.

Fujifilm does not list weather resistance for the body.

The 5-stop figure is pitch/yaw correction measured by Sony to the CIPA standard with the FE 50 mm F1.2 GM lens; it varies by lens and focal length. In video, Active mode crops the image slightly for stronger stabilisation.

The buffer figure is the approximate number of frames the camera can shoot in a row before waiting to write to the card.

The side-opening screen can be turned to face forward so the user can see themselves when shooting selfies and vlogs.

A UHS-II card helps with high-bitrate video and clears the buffer faster after long bursts. There is no second slot for backup recording.

Over USB-C the camera can draw power and charge its battery with USB Power Delivery; it can also connect to a computer as a webcam over USB.